The famous Japanese fashion designer Yohji Yamamoto held the 2018 Spring/Summer Menswear presentation in Paris in late June 2017. In addition to maintaining the brand's consistent black color, this time, red, blue and gray leather jackets are added to the black tone, and through the retro gorgeous, morbid and weird female portraits, abstract text totems, Buddhist classic quotations, etc., a strong visual The impact of Yohji Yamamoto created Yohji Yamamoto's unique vision and world. 28619251_1203557103112098_20187005152071 Photo Credit: Elise Toïdé, Source: Yohji Yamamoto The Official In recent years, Yohji Yamamoto has often carried out cross-border cooperation with artists in various fields. For example, his own brand "Ground Y" 2017-2018 autumn and winter new clothes,
invited Japanese advertising art director Inoue Tsuguya and Singaporean Chinese photographer Ji Jialiang (Leslie Kee), with the theme of “Youth is…”, to publish ten kinds of graphic designs, limited-edition T-shirts, and inject rich and diverse elements. At the 2018 Spring/Summer Menswear Conference, Yohji Yamamoto boldly used the works of young Japanese artists Saitoh Yusuke and Uchida Suzume, as if turning the runway into a moving painting Exhibition wedding photo retouching services venue. Among the young artists Yohji Yamamoto has collaborated with, Uchitachi's works are amazing. Uchida graduated from the Design Department of the Art Specialized Group of the University of Tsukuba. Her creative materials are diverse, including ink, watercolor, charcoal, oil painting, etc. The characters in the paintings are full of the ghostly sense of traditional Japanese ghost paintings (she won the 2014 Ghost Award Art Exhibition Award),
and at the same time incorporates the morbidity and resentment of modern women. I once saw Uchida's portrait of a woman named "Hook Gou Shou" (ゆびきり, 2016) in an art magazine. In the dark space with strong contrast of light and shadow, a half-naked woman bowed her head slightly. , staring straight up, under the illumination of the top light, her hair-covered face showed a strange smile, she stretched out her pinky finger, and seemed to be engaged in a scene with the audience outside the screen, "If you violate the agreement, I will kill you. The distorted transaction of "Suicide Again" may also serve as a mirror projection inside the viewer. Later, when I linked to Uchida's official website and read her related reports, I realized that this work was her self-portrait, and it also came from her real experience of suffering from anorexia an